‘Anxious People’ selected best audiobook by the Washington Post
Fredrik Backman’s bestseller Anxious People is one of the Washington Post’s top 10 audiobook picks of 2020, as voted by the US daily newspaper’s Book Club members.
Fredrik Backman’s bestseller Anxious People is one of the Washington Post’s top 10 audiobook picks of 2020, as voted by the US daily newspaper’s Book Club members.
Sometimes, a single day can hold a whole life.
The 12th of August 2019, Viola receives an unexpected call from Lilly, the girl next door who was once her best friend. Now they’re both in their eighties and Lilly is on her deathbed. Life separated them in their youth, but they never stopped missing each other.
Sofia Lundberg’s heart-warming and wrenching novel, Like a Feather in the Wind, chronicles Viola’s and Lilly’s lives by visiting them on the same, significant date, from the 1950s to the present. When Viola and her daughters rush to Paris to see Lilly one last time, the question that’s haunted Viola for all those years is finally answered.
Like a Feather in the Wind is a tale of undying friendship, love and jazz. It is Sofia Lundberg’s fourth novel.
Snabba Cash will have its global Netflix premiere on Wednesday April 7, and the anticipated series has already received great praise in the Scandinavian press. Snabba Cash is written and created by Oskar Söderlund together with Jens Lapidus, and directed by Jesper Ganslandt.
“Engaging, intense, irresistible. Netflix’s Snabba Cash will be a huge hit with viewers. /…/ Whatever you may think, you are not ready for Netflix’s Snabba Cash.”
– Expressen ★★★★
“Snabba Cash is not only well-written and well-acted, but also offers some of the most action-packed and intense episodes in Swedish television history.”
– Filmtopp.se ★★★★
“The acting is truly excellent across the board. /…/ Snabba Cash is an intense and captivating serial interpretation of Jens Lapidus’ universe, which keeps you glued to the screen through all six episodes.”
– Soundvenue ★★★★★
“The creators know how to twist the plot and create suspense. I’m eager to watch the next episode. And the one after that.”
– Svenska Dagbladet ★★★★
“The new Snabba Cash is the TV series which succeeds in giving us as much authenticity as its predecessors, while delivering unfiltered action at a high level. /… / The intense suspense that the well-packaged episodes offer lasts all the way from the first frame to the last.”
– Moviezine ★★★★
“Snabba Cash is a modern and unsentimental depiction of the pursuit for more. /…/ You can practically touch the nerve and the all-encompassing feel of unease in this very successful reboot.”
– Nöjesguiden ★★★★
“With genious camera work […] the series about Swedish gang environments elevates itself to a dark portrait of a society at the breaking point. /…/ Söderlund juggles freely and boldly with the three destinies and offers both parallels and contrasts between them.”
– Filmmagasinet Ekko ★★★★★
“Oskar Söderlund and director Jesper Ganslandt are absolutely spot-on with the characters. /…/ [Snabba Cash] delivers one of this year’s strongest experiences. /…/ It is brutal, super tight, greedy and loaded with betrayal. Just like life itself.”
– Onyanserat ★★★★
David Sundin’s immeasurably popular The Book That Did Not Want To Be Read is No. 1 also on week 12’s official Swedish bestseller list for children’s books.
Lisbet lives with her granny the Samba King and the stern pirate cat Sixten in an ordinary house on an ordinary street. But beneath the ordinary surface, there’s more to the story: the Samba King is a former secret agent that holds the world record in just about anything, if you ask her. Lisbet loves living with her granny – it’s a riot! But sometimes the Samba King gets to be a bit too much even for Lisbet, making her think that it would be nice to have someone around that’s more like herself. Then one day a postcard arrives, welcoming Lisbet to school. She’ll finally start first grade.
The news has the Samba King acting as if someone has just died: School means the end of summers as they know them and granny fears the dull classes will take Lisbet’s imagination away forever, making her just like everyone else. Together they decide to do as many crazy antics as possible during this last summer of freedom. Secretly, though, Lisbet is rather excited about starting school and finally making a friend of her own…
Lisbet and the Samba King and The School of Hard Knocks are the two first installments in the hilarious, exuberant and norm-creative chapter book series that asks the question: “Do you have the right to be you – even if that means just being ordinary?”
Hear the creators Oskar Söderlund, Jens Lapidus, Jesper Ganslandt and actor Evin Ahmad discuss the anticipated Netflix series Snabba Cash in this exclusive interview.
Snabba Cash premieres on Netflix April 7.
The Mirror Man, Lars Kepler’s eighth novel about Joona Linna, is No. 1 also this week on Norway’s official bestseller list for paperbacks.
The eight-part Norwegian drama series Nach (After Party) is co-created by Anne Bjørnstad, Head of Drama at Rubicon, Ernst De Geer and Mads Stegger. De Geer and Stegger are the series’ writers and De Geer is also directing together with Fanny Ovesen.
Nach follows university dropout Selma. After being thrown out of her share house, Selma moves in with her half-sister Elin and her boyfriend August, only to find herself growing increasingly caught up in her feelings for August. The drama unravels during eight very different after parties throughout the summer.
The coming-of-age drama Nach is produced by Banijay-owned scripted label Rubicon and will premiere on Discovery+ in the Nordics March 25.
Niclas Larsson is one of the nominees for The Directors Guild of America’s annual award that honors the outstanding directorial achievement in feature films, documentary, television and commercials of the prior year. Niclas Larsson is shortlisted for his commercials See the Unseen (for Volkswagen) and The Parents (for Volvo).
The winner in each category will be announced on April 10th, 2021.
Photo: Katrine Rohrberg
Danish screenwriter Maja Jul Larsen graduated from Denmark’s National Film School in 2007 and has since then made a rapid rise in the film and TV industry. She has worked on some of the biggest Danish TV dramas, including the international sensations Borgen, Follow the Money and The Legacy.
In 2020 Jul Larsen made her debut as creator and head-writer with the acclaimed and awarded Cry Wolf. The gripping family drama was an immediate viewer ratings hit, was lauded in the Scandinavian press and is now sold to over 40 territories. Cry Wolf was selected in competition at Series Mania, won a Golden Eye for ‘Best Drama’ at the Zurich Film Festival and won five awards at the Danish Film Awards including ‘Best TV Series.’ Jul Larsen also emerged as the winner of the Nordisk Film & TV Fond Prize for her “outstanding writing of a Nordic drama series.”
Currently, Jul Larsen is working on Borgen season 4 for DR and Netflix, and developing her next TV series.
Lithuania, Lectio Divina
Three-book deal closed by Emma Granberg
Norway, Oktober
Closed by Federico Ambrosini
Türkiye, Dedalus
Two-book deal closed by Emma Granberg
Japan, Shinchosha
Closed by Emma Granberg
Bulgaria, Emas
Three-book deal closed by Emma Granberg
Estonia, Kids Press
Two-book deal closed by Linda Andersson
The Winter Job doesn’t rely on complex puzzles or elaborate reveals. Instead, it offers a gritty, atmospheric ride that probes desperation, survival and the cold logic of crime. Nordic noir that actually lives up to the moniker.
– Crime Fiction Lover
Mr Saito’s Traveling Cinema is a gripping tale with a wonderful mix of milieus, characters and events. (…) Delightfully beautiful reading in one of the best novels of the year.
– Melleruds Nyheter
An awesome debut with humor, warmth and magical illustrations.
– Tidningen Kulturvinden
Lisa Ridzén has written a beautiful novel. (…) A book every man should read.
– FNV Magazine
Perfect for both dog lovers and readers of tender human stories.
– Bookbub
Diamonds and Rust is a story about wounds that never heal, about envy, betrayal and revenge, and about a crime so well and thoroughly thought out that it may never be solved. Not unless Hanne Wilhelmsen gets a chance to try.