Matias Faldbakken (b. 1973) is one of Norway’s most critically acclaimed visual artists and writers. He is represented by some of the best contemporary art galleries in the world, including Paula Cooper Gallery (New York), Simon Lee Gallery (London), Galerie Eva Presenhuber (Zürich), Galerie NEU (Berlin) and Standard (Oslo). Matias Faldbakken is the author of the highly successful Scandinavian Misanthropy trilogy, written under the pen-name Abo Rasul and hailed as one of the most exciting and original literary projects in contemporary Scandinavian fiction. The Hills is Faldbakken’s first novel in nine years and the very first to be written under his own name.
“As if The Remains of the Day had been written by Kingsley Amis, The Waiter is a brilliantly exquisite view into an uproariously vigilant life of service and protocol. In Faldbakken’s skilled hands, a mordant, lonely waiter in a declining restaurant becomes a raw, scrupulous force, powering one of the most purely entertaining novels I've read in years. This book is a meal you won’t want to finish.”
–J. Ryan Stradal
|Shortlisted for the Norwegian Radio’s Literary Award Norway – Vi er fem We Are Five||2019|
|Shortlisted for the Young Critics’ Award Norway – Vi er fem We Are Five||2019|
|Longlisted for the IMPAC Dublin Literary Award Ireland – The Hills||2019|
|ITB Buchaward Germany – The Hills||2019|
|Shortlisted for the Brage Prize (Fiction) Norway – The Hills||2017|
|The Norwegian Booksellers’ Association’s Bjørnson Grant Norway – The Cocka Hola Company||2002|
Matias Faldbakken’s We Are Five has been shortlisted for one of the most prestigious literary awards in Norway, the Norwegian Radio’s Literary Award. The prize is awarded by NRK and the winner will be announced in February, 2020.
Previous winners include Linn Ullmann and Karl Ove Knausgård.
We Are Five has already been lauded by NRK in a recent review:
“We Are Five can be read straight off as an entertaining, gruesome and, a quarter in, grim story. It is also possible to reflect on how fragile the normality is, and how easy it is to go from an uncomplicated everyday-life into the completely uncontrollable. /…/ [Matias Faldbakken] is a master at slowly building the tension. /…/ The analytic [reader] will find pleasure in studying how seamlessly and elegantly the author moves between rural realism and familiar Norwegian family dynamics, into a set of completely different genres. It’s so good it hurts.”
The newly published We Are Five by Matias Faldbakken has been shortlisted for the 2020 Young Critics’ Award in Norway.
The jury says:
“As with his previous novel The Hills, there is a brilliance to We Are Five. The story of the rural family father who unwittingly creates a lump of living clay in his workshop is both so effortlessly told and ingeniously thought out that it stands out tremendously among this year’s books. Here you will encounter a sci-fi version of the narrow small-town mindset, a fluent and unpretentious use of mythology, and a magical realism that feels completely natural and essential.”
The award ceremony will be held in Oslo on March 12, 2020.
It is now official that Matias Faldbakken’s critically acclaimed novel The Hills has been longlisted for the IMPAC Dublin Literary Award 2020.
The IMPAC Dublin Literary Award is awarded annually to a novel published in English. The prize was handed out for the first time in 1996, and previous winners include Orhan Pamuk, Michel Houellebecq and Herta Müller.
The winner will be announced on June 10, 2020.
On a barren plot of land three hours north of the Norwegian capital lives Tormod Blystad, his wife Siv, and their two children. Having left his wild years behind him, Tormod is now a dependable and trustworthy family man. But, as in every family, some spaces have yet to be filled. Cue the arrival of Snusken, the new family dog. When Snusken dies, she leaves behind a vacuum that must be filled. And so one night, Tormod finds himself in front of the pug mill in the garage, mixing red clay and fertilizer. Unknowing to him, his efforts will trigger powerful forces of which he does not yet know the scope.
Matias Faldbakken’s We Are Five is a sharply observant, unconventional and entertaining novel, blending adventure, horror, mythology and science fiction with a hefty dose of raw realism. As unique as Faldbakken’s art, it displays an authorship with an inimitable point of view and ability to execute it.
The New York Times Book Review has selected Matias Faldbakken’s The Hills as one of six titles on this week’s Paperback Row, a feature which lists the newspaper’s recommendations of new paperbacks to check out.
Matias Faldbakken’s The Hills has been shortlisted for the Brage Prize, handed out by the Norwegian Publishers Association, as one of four nominees in the ‘Fiction’ category. The prize, named after the Norwegian god of writing, has established itself as Norway’s most prestigious literary award since its inception 25 years ago.
The judges have the following to say about The Hills: “A novel with a warm sense of humor, effortless elegance, and a playful and disarming feeling of nostalgia. As a whole, it sharply distinguishes itself through its charming play on traditions. But there are darker elements beneath the surface, which give the seemingly playful novel both seriousness and gravitas.”
The winner of the 2017 Brage Prize will be announced on November 21st.
The restaurant The Hills stands at the center of Matias Faldbakken’s new novel, a story of waiters and regulars, chandeliers and cloakroom attendants, mezzanines and storage cellars, bar managers and in-house pianists. It’s a continental interior that greets the visitor as they enter the premises, a downtrodden mosaic of concentric circles on the floor and walls covered in portraits, drawings, paintings and stamps. The one who guides the reader through this landscape is a waiter at the establishment, a veteran of thirteen years. With utter discretion and a complete knowledge of all that goes on in his domain, he is the eyes and ears of the novel.
The ideas and ambience of old Europe are carefully guarded at the run-down restaurant. A well-established order wherein everything has its place rules, and little to nothing of the outside world intrudes. Until the threat of unrest and change comes anyway, in the innocuous form of a young woman quietly taking a seat among the regulars.
The Hills is an unexpected, smart and entertaining novel about collapsing structures and a world caught somewhere between diligence and decay. Matias Faldbakken possesses a rare talent for observation and an uncompromising eye for detail and humor as he pushes the performances of the novel to the point of absurdity, and does so in a manner that evokes a sense of unease as well as gravity.