Steinar Bragi (b. 1975), of Reykjavík, Iceland, is the author of several books of poetry and prose. Debuting as a 23-year-old with the critically acclaimed poetry collection Black Hole (1998), he later turned to prose with the novel Women, a claustrophobic abstraction of the price of being a woman under the male-driven capitalism and misogynistic power structures that would break the nation’s economy. Women was later nominated for the Nordic Council Literature Prize. In the modern Icelandic saga The Ice Lands, Bragi’s international breakthrough, Icelands economic demise is revisited, with four victims of the financial crisis hurtling towards an unthinkable end during a nightmarish trip across the nations volcanic hinterlands. A nascent master of contemporary horror, Bragi illuminates the darkest corners of our collective psyche with Lovecraftian detail and in the vein of Stephen King.
“Bragi is an extremely skilled writer, and I both look forward to and dread the nightmares he will bring forth in our collective psyches in the future.”
-Elise Karlsson, SvD (Sweden)
|Shortlisted for the Icelandic Literature Prize Iceland||2016|
|Tindabikkjan (Best Icelandic Thriller/Crime Novel of the Year) Iceland||2015|
|Shortlisted for The Blood Drop Iceland||2015|
|Shortlisted for the DV Cultural Prize for Literature Iceland||2015|
|Shortlisted for the Nordic Council Literature Prize The Nordic Countries||2010|
|Shortlisted for the DV Cultural Prize for Literature Iceland||2008|
|Shortlisted for the DV Cultural Prize for Literature Iceland||2005|
An about-to-hit-forty cancer ward nurse in Iceland, Kata is a woman destined for a journey of revenge. After her teenage daughter Vala goes missing, Kata throws herself into work to forget. When her daughter’s body is found at last, Kata learns the awful truth of the horrors that she suffered before dying. And as Kata listens, it’s as if her world begins to gently shift out of focus, tilt off its axis: The odyssey begins. The end destination is justice, but even more so, revenge. Revenge on her daughter’s murderers, and on all men who abuse women. Because vengeance is not a male privilege, though the hand throwing the acid nearly always is. Acting according to the device “Until men’s and women’s rights are equal, women will submit their own agenda: Defence, Punishment and Sisterhood,” Kata begins the bloody process of reclaiming womankind’s right to avenge injustices, and themselves.
When Steinar Bragi began the research work for his novel Kata, he was shocked and appalled by the Icelandic statistics for crime against women, in particular that of sexual assault cases. Kata is a novel born out of this shock, and the raw horror that hides behind the figures.