Reviews

• “[Fredrik Backman] is at his best in the small movements; almost silent scenes that identifies the most emotional subjects. /…/ Backman is great at writing about love – and at always paying attention to the child, in all contexts. /…/ When summarizing this trilogy, what is most impressive is the way Backman approaches sport. He conveys the beauty of it, while at the same time bringing every ugly thing into the light, forcing us to see. When he is finished, we have seen the worst but are still convinced of the beauty.”

• “[Backman] once again presents us with a rich gallery of characters, and his strength lies in making you care about every single one. /…/ Tears are inevitable during the final scenes.”

• “Fredrik Backman’s writing is poignant, beautiful, funny, tender. Above all he is keen to bring a spotlight upon pressing issues. /…/ I read the final installment of [Backman’s] Beartown trilogy with tears streaming down my face. (…) It’s all so incredibly moving. People who are broken, alcoholics, traumatized, abused, vulnerable and repressed come and go and Backman shows solidarity with them all. /…/ The Winners is a masterpiece. There’s nothing else I can say about a book that evidently discomposes me to this extent. (…) This is a book that hits you like a slapshot in the solar plexus. /…/ I genuinely believe this is a book capable of saving lives.”

• “With a lot of emotion and wit, Backman intertwines several minor storylines and gives the reader hope for better days.”

• “Heartwarming, funny and full of wisdom.”

• “The prose radiates genuine joy of storytelling. /…/ [The Winners] is truly brimming with suspense.”

• “Fredrik Backman’s Beartown trilogy is a heartfelt declaration of love to sports. /…/ There are plenty of houses, institutions, homes, and infrastructure [in The Winners] but somehow it is still nature and the vast landscape that holds everything in its hand. This is enhanced by Backman’s writing style. /…/ [Backman] employs a narrative style not unlike the one used by John Steinbeck in The Grapes of Wrath, where every other chapter places all events in a context whereby the characters become figures in a much larger tale about a country’s transformation. In a similar way, Backman seems to want to pin down characters and their driving forces as an element of a society and its transformative process, as if they’re trapped within larger movements over which they have no control, yet need to deal with. /…/ One needs to search high and low for another novel whose heart beats as hard for what common ground such as sports can mean for a society where mistrust and demonization constantly lure.”